

The Man Behind the Man: Yero is initially suspected to be the head of the Columbian cartel that's behind the Miami-based neo-Nazis.Except for killing some mid-level bad guys, the heroes didn't really accomplish very much in this movie. And The Mole, AND Isabella, who, no matter how much Crockett may have loved her, was still an international drug trafficker.The squad doesn't have anything on him and they can't pursue him immediately because of the informant leak. Karma Houdini: Neptune, the target of the sting at the beginning of the movie, gets away.The Unrated Director's Cut adds in an opening credits sequence that sets up the Neptune operation, among many other changes. In Medias Res: The theatrical cut has no opening credits and begins with Sonny and Rico in the middle of their sting on Neptune.Greater-Scope Villain: Arcangel de Jesus Montoya, the real drug lord that Yero is working for.Driven to Suicide: In the movie, when the informant finds out about his wife's death, he walks in front of an oncoming semitrailer.Michael Mann tends to shoot his films in those tones, and he also worked on the series. This is more a result of the director's own preferences than anything else.Still, it follows the same pattern of focusing on cold colors, ignoring the earth tones.
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Big Bad: Yero, who's leading most of the drug smuggling ring.
